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Photographing Kansas State University and Manhattan, KS since 1946.

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Legalities of Being

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  • On April 12, 2018 K-State's Beach Museum of Art hosted artist Fidencio Fifield-Perez to present his work, "Legalities of Being." Fifield-Perez was an illegal immigrant and discusses his experiences and how they led him to activism through studio practice and non-traditional art practices. (Hannah Greer | Collegian Media Group)

    On April 12, 2018 K-State's Beach Museum of Art hosted artist Fidencio Fifield-Perez to present his work, "Legalities of Being." Fifield-Perez was an illegal immigrant and discusses his experiences and how they led him to activism through studio practice and non-traditional art practices. (Hannah Greer | Collegian Media Group)

    1921

  • On April 12, 2018 K-State's Beach Museum of Art hosted artist Fidencio Fifield-Perez to present his work, "Legalities of Being." Fifield-Perez was an illegal immigrant and discusses his experiences and how they led him to activism through studio practice and non-traditional art practices. (Hannah Greer | Collegian Media Group)

    On April 12, 2018 K-State's Beach Museum of Art hosted artist Fidencio Fifield-Perez to present his work, "Legalities of Being." Fifield-Perez was an illegal immigrant and discusses his experiences and how they led him to activism through studio practice and non-traditional art practices. (Hannah Greer | Collegian Media Group)

    1925

  • Fidencio Fifield-Perez's work is on view at the Beach Museum of Art as a part of the Fronteras/Frontiers exhibitions. He spoke at the museum on April 12, 2018 about his life experiences an illegal immigrant and how they moved him to become and active voice for his community. (Hannah Greer | Collegian Media Group)

    Fidencio Fifield-Perez's work is on view at the Beach Museum of Art as a part of the Fronteras/Frontiers exhibitions. He spoke at the museum on April 12, 2018 about his life experiences an illegal immigrant and how they moved him to become and active voice for his community. (Hannah Greer | Collegian Media Group)

    1927

  • Fidencio Fifield-Perez's spoke at the museum on April 12, 2018 about his life experiences an illegal immigrant and how they moved him to become and active voice through his art. His work has been apart of the Fronteras/Frontiers exhibition at the museum and demonstrates the power art holds in activism. (Hannah Greer | Collegian Media Group)

    Fidencio Fifield-Perez's spoke at the museum on April 12, 2018 about his life experiences an illegal immigrant and how they moved him to become and active voice through his art. His work has been apart of the Fronteras/Frontiers exhibition at the museum and demonstrates the power art holds in activism. (Hannah Greer | Collegian Media Group)

    1928

  • Fidencio Fifield-Perez's work is on view at the Beach Museum of Art as a part of the Fronteras/Frontiers exhibitions. He spoke at the museum on April 12, 2018 about his life experiences an illegal immigrant and how they moved him to become and active voice for his community. (Hannah Greer | Collegian Media Group)

    Fidencio Fifield-Perez's work is on view at the Beach Museum of Art as a part of the Fronteras/Frontiers exhibitions. He spoke at the museum on April 12, 2018 about his life experiences an illegal immigrant and how they moved him to become and active voice for his community. (Hannah Greer | Collegian Media Group)

    1929

  • Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. (Hannah Greer | Collegian Media Group)

    Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. (Hannah Greer | Collegian Media Group)

    1931

  • Many students stopped by the Beach Museum of Art on Thursday, April 12, 2018 to hear Fidencio Fifield-Perez speak on his commitment to activism as a part of the university's annual engagement symposium. His work is a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art.  (Hannah Greer | Collegian Media Group)

    Many students stopped by the Beach Museum of Art on Thursday, April 12, 2018 to hear Fidencio Fifield-Perez speak on his commitment to activism as a part of the university's annual engagement symposium. His work is a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art. (Hannah Greer | Collegian Media Group)

    1934

  • Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. (Hannah Greer | Collegian Media Group)

    Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. (Hannah Greer | Collegian Media Group)

    1935

  • Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. As an illegal immigrant, Fifield-Perez felt the press and confinement of having to act and look a particular way in order to be accepted in this country, this is demonstrated through his art and in his talk. (Hannah Greer | Collegian Media Group)

    Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. As an illegal immigrant, Fifield-Perez felt the press and confinement of having to act and look a particular way in order to be accepted in this country, this is demonstrated through his art and in his talk. (Hannah Greer | Collegian Media Group)

    1936

  • Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. As an illegal immigrant, Fifield-Perez felt the press and confinement of having to act and look a particular way in order to be accepted in this country, this is demonstrated through his art and in his talk. (Hannah Greer | Collegian Media Group)

    Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. As an illegal immigrant, Fifield-Perez felt the press and confinement of having to act and look a particular way in order to be accepted in this country, this is demonstrated through his art and in his talk. (Hannah Greer | Collegian Media Group)

    1938

  • Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. As an illegal immigrant, Fifield-Perez felt the press and confinement of having to act and look a particular way in order to be accepted in this country, this is demonstrated through his art and in his talk. (Hannah Greer | Collegian Media Group)

    Not only does Fidencio Fifield-Perez have his work as a part of the Fronteras/Frontiers exhibition at the Beach Museum of Art, on April 12, 2018 he also spoke on his commitment to activism as a part of the university's annual engagement symposium. As an illegal immigrant, Fifield-Perez felt the press and confinement of having to act and look a particular way in order to be accepted in this country, this is demonstrated through his art and in his talk. (Hannah Greer | Collegian Media Group)

    1941

  • On April 12, 2018 the university's UMB theatre in the Beach Museum of Art hosted Fidencio Fifield-Perez to speak on how his past guided him to his present commitment to activism through studio and non-traditional art. His art is apart of this year's Frontiers/Frontiers exhibition at the museum. (Hannah Greer | Collegian Media Group)

    On April 12, 2018 the university's UMB theatre in the Beach Museum of Art hosted Fidencio Fifield-Perez to speak on how his past guided him to his present commitment to activism through studio and non-traditional art. His art is apart of this year's Frontiers/Frontiers exhibition at the museum. (Hannah Greer | Collegian Media Group)

    1944

  • On April 12, 2018 the university's UMB theatre in the Beach Museum of Art hosted Fidencio Fifield-Perez to speak on how his past guided him to his present commitment to activism through studio and non-traditional art. His art is apart of this year's Frontiers/Frontiers exhibition at the museum. (Hannah Greer | Collegian Media Group)

    On April 12, 2018 the university's UMB theatre in the Beach Museum of Art hosted Fidencio Fifield-Perez to speak on how his past guided him to his present commitment to activism through studio and non-traditional art. His art is apart of this year's Frontiers/Frontiers exhibition at the museum. (Hannah Greer | Collegian Media Group)

    1948

  • On April 12, 2018 the university's UMB theatre in the Beach Museum of Art hosted Fidencio Fifield-Perez to speak on how his past guided him to his present commitment to activism through studio and non-traditional art. His art is apart of this year's Frontiers/Frontiers exhibition at the museum. (Hannah Greer | Collegian Media Group)

    On April 12, 2018 the university's UMB theatre in the Beach Museum of Art hosted Fidencio Fifield-Perez to speak on how his past guided him to his present commitment to activism through studio and non-traditional art. His art is apart of this year's Frontiers/Frontiers exhibition at the museum. (Hannah Greer | Collegian Media Group)

    1949

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